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Well this is a strange and cool surprise! Several years ago I heard from Scott Roewe, Music Director at Unitarian Universalists of Santa Clarita, California. He had come across “Jai Ma” and wanted to perform it for one of their services. I was on my way for a bit of an L.A. adventure this March (more on that soon), and I thought of getting in touch with Scott. I wound up with a Sunday morning gig (after a late night of Saturday night dancing) and some good connections and collaboration. Before the trip, Scott invited me to enter a UU song contest. I procrastinated on it, but eventually sent “Shivo Ham” and “Blessed Be, Namaste.” Good thing I got around to it. I was psyched to find out yesterday that “Blessed Be, Namaste” is one of their winners. I never thought I’d write a song that might one day have the potential to be performed as a UU hymn. I’m glad some people have found a positive resonance with this tune.
“Blessed Be, Namaste” appears on This. (2012).
May 6, 2016
Hello to all that submitted music for the 2016 Silliman hymn competition!
Thank you for you contribution.
The winners are….
Blessed Be, Namaste
Music & Lyrics Robin Renee
From Atco, New Jersey
For the Beauty of the Earth
Music by Lia Davis
Lyrics by Folliott Sandford Pierpoint
From Denver, Colorado
Music by Elizabeth Scribner/Christine Lucas
Lyrics by Annie Pal
From Glenn Allen, Virginia
Let Peace Expand
Music & Lyrics by Lisa Murray
From Temple New Hampshire
The Light Of the Spirit
Music by David Kent
Lyrics by Rev Sarah Tinker
Maidwell, United Kingdom
Seed of Hope
Music & Lyrics by John Kramer
From Jamaica Plain, Massachusetts
The Stream of Life (Come Take My Hand)
Music by Elizabeth Scribner
Lyrics adapted from Rabindranath Tagore
From Davidson, North Carolina
Music by Chris Hayden
Lyrics by Myrna Adams West
From Athens, Georgia
One Small World
Music & Lyrics Lucy Holstedt
From Somerville, Massachusetts
Open Your Heart To The Joy
Music & Lyrics Cheryl Ritch
From Fredonia, New York
People of Hope
Music & Lyrics Darryl Loiacano
From Kalamazoo, Michigan
A special thank you to the Judges for their contribution.
Rev. Mary Katherine Morn | Director of Stewardship and Development and Special Advisor to the UUA President
Bailey Whiteman – Choral Director for the Washington Ethical Society, Washington D.C.
Bertram Gulhaugen – Music Director Westside Unitarian Universalist Congregation Seattle, Washington
Each winner will receive $100, and have their music read down and recorded at the upcoming UUMN conference in Madison, Wisconsin July 20th – 24th.
UUMN Director of Publications
Santa Clarita, California
The first time I met Tarot Grandmaster Christiana Gaudet, I believe it may have had something to do with an impromptu seasonal celebration ritual held in a hot tub. Over the years, I’ve grown to love and trust Christiana very much, and we share quite a few things like dedication to spirituality, a penchant for discussions on grammar and usage, naturism, and a serious enthusiasm for music (Robin is to Devo as Christiana is to The Grateful Dead.).
A little over a year ago, Christiana began hosting an online show called Christiana’s Psychic Café, and decided to use my songs “Funky Bhagavate” and “Blessed Be, Namaste” as her intro and outro music. She’s also invited me on the show to chat on quite a few occasions, so turnabout is fair play, as they say. I am so glad Christiana has taken part in The Dream Between‘s 11 Questions interview series. Here are some of her thoughts on science and mysticism, the rewards and business of writing and music, entrepreneurial spirit, and more.
1. Do you think of Tarot as an art? A system? A spiritual tool? I am interested in how you describe it to someone who hasn’t encountered Tarot at all.
Yes, to all of the above. One of things that fascinates me about Tarot is how unique it is in all the world, but how it is a part of so many worlds – art, culture, spirituality, and history.
Tarot is a book of spiritual wisdom in picture form that tells the story of human experience. Tarot is a collection of archetypes and symbols that can help us communicate with each other and with the divine. Tarot is a source of creative inspiration and a tool for magick.
2. How do you balance science and rationality with mysticism and spirituality in your life?
My belief system is grounded in the reality that I observe in my daily life, so there really is no disconnect between what I believe and what is obviously scientifically true. I believe the sun will rise in the morning, and I understand the movements of the planets that make that happen. But I also honor the rising sun as a spiritual force in my life.
Nature is my Higher Power. I am face-to-face with God every day. I don’t need complicated dogma and doctrine to know, feel, and experience spiritual truth. When I observe nature I learn all I need to know about Higher Power. I find spiritual power in the tides and the stars. I see the face of the Goddess in fire as it dances. I see the Four Elements, Earth, Air, Fire and Water, as spiritual forces operating in my life. The magnificence and improbability of the world around us lead me to conclude that a divine hand is at work. To me, science proves the existence of Spirit. There is so much order to the Universe, it seems a divine order. The more I learn about science the more I see the sacred nature of life.
I have an argument with many religions. If your doctrine doesn’t hold true to the obvious facts around you, it is time to change your doctrine. That’s an interesting concept given I believe that cards drawn at random can have specific bearing in a person’s life. But, truly, divination is as old as recorded history. Divination is something we do quite naturally. The same is true with earth magick. What child has not collected rocks and shells from the beach, or sticks from the woods, knowing, deeply and inherently, that these items hold power?
3. You’ve written and published two books on the Tarot – Fortune Stellar and Tarot Tour Guide. Through those experiences, what are the most important things you’ve learned about the process of writing and publishing?
I learned that writing is an arduous task. If we only write when we feel inspired, we’ll rarely finish anything. If you force yourself to write whether or not you feel like it, the inspiration will come most of the time.
I also learned that writing is sometimes more about style than structure, and that typos are a fact of life.
I learned that publishing is rapidly changing. Whatever you knew about publishing in the past may not be true now. What we used to call “vanity press” is now “self-published” and is a viable avenue. The big publishing houses are crumbling, and self-published authors are actually making money.
I learned that unless you write a New York Times bestseller, the way to make money in writing and publishing is to be prolific. Yes, I am working on books three, four, and five right now.
Finally, I learned that books aren’t like fashion – they don’t have a shelf life. If you write a good book, that book will continue to sell year after year.
4. You and I connect a great deal around music and you’ve often incorporated music segments into your show, Christiana’s Psychic Café. What are you listening to lately?
The recent death of Pete Seeger has me revisiting my favorite folk singers. This week I’ve been listening to The Weavers, Pete Seeger, Holly Near, and Arlo Guthrie.
I listen to a lot of different genres. In terms of newer acts I like OneRepublic. Isn’t that cheesy? And I love Grace Potter and the Nocturnals. I think Grace has huge potential.
I’m a Deadhead. I catch as many DSO, 7 Walkers, Phil Lesh and Friends, Ratdog and Furthur shows as I can. We always wondered what would happen when Jerry died. Well, what happened was a lot of smaller bands mushroomed from the one. Fan musicians made it their mission to carry on the music, so there are still plenty of opportunities for us to experience those songs played live.
5. Does music help inspire your writing, preparation for readings, or other aspects of your work?
I can’t have music in the background when I write – I am easily distracted by shiny objects. I love meditative music, and I love chanting. I use music in magick and ritual quite a bit. Dance is an important part of my spiritual practice.
6. As the music business we once knew has changed so much since the Internet Age, many artists are struggling to understand how it will manifest in the future. Any predictions?
The changes in music are similar to the changes in publishing. On one hand, everyone has access. On the other hand, there are so many voices it is hard to be heard. I think one thing that is changing is there are more ways to be heard, and more ways to develop an audience. Often success will go to the diligent.
Where do I see things going in the future? I think there will be even more access to high-speed internet, recording technology, and marketing opportunities. I think the big labels, like the big publishing houses, will start to crumble. There will still be pop stars, but radio – the star maker of yesteryear – really is dying.
Right now, everyone who listens to adult contemporary knows the same songs. When Lorde won a Grammy, everyone knew the song. I see a time in the distant future where that might no longer be true. There might be so much variety available we will all listen to exactly what we like and we won’t all know the same forty songs.
In the meantime, my advice to artists would be three words: diligence, networking, and innovation.
7. Your show seems to have developed very organically and features many artists and practitioners who you know personally. How has this network of people come about for you?
When I agreed to do Christiana’s Psychic Café I knew I didn’t really have the time to take on such a project. I also knew I had a huge network of interesting people who would help me. Networks always grow. You were my very first guest. You, and many others, have introduced me to other people who have been great guests, and are now my friends. You are right about “organic growth.”
I have always been really good at bringing people together. I have organized festivals, huge parties, psychic fairs, and creative communities. It is something I do naturally. I am not as good at constantly nurturing a community. I am better at short-term projects and getting things started rather than tending them over long periods of time. Social media has allowed me to stay in touch with people that I have known over the past forty years. That is a lot of people, and a lot of energy, on which to draw.
8. In your work, you not only maintain a private reading practice, but you create a weekly newsletter, host the online show, and hold periodic worldwide Skype teaching sessions. What are your practical methods of generating many varied ideas and holding it all together?
I am grateful each day that my work allows me variety, creativity, positive human contact, and spiritual fulfillment. I work very long days, but I take frequent breaks. When I feel overwhelmed or under-inspired I picture myself working a regular job. That’s usually enough to get me back on track.
I have a lot of interesting ideas. They often come to me in the shower. My biggest problem is remembering them, since I can’t write them down while I’m washing my hair! So, the practical methods I employ boil down to gratitude for what I can do, fear of not doing it, and being open to inspiration!
9. What is the most gratifying aspect of your work?
Unfair question. That’s like asking a mother which of her kids is her favorite.
When I was really young I knew I didn’t have the ability to tolerate routines, power structures, boredom, and creative limitations. I needed to create a life where I had real passion for my tasks, and control over what those tasks would be. So I did. That my work is my work is my greatest gratification.
10. Do you have any advice or wisdom for anyone in any field who is striking out with your kind of entrepreneurial spirit?
Plenty. You have to want it so badly you can taste it. You have to believe in it when no one else does. You have to be willing to suffer for it. You have to be willing to do what it takes to make it happen, even when your friends are mad that you can’t play with them. If it were easy, everyone would do it.
When I was a theatre major at Baldwin-Wallace College for a semester I had a great teacher who said that success is the product of talent and tenacity. I think that is true for just about any kind of success.
11. What is the best course of action for creative artists in this Imbolc season?
Transform your fears, hurts, and disappointments into art. Let creativity be a source of healing for you, and let the depth of your pain energize your process. Let nothing be “good” or “bad” in terms of what you feel or what you produce. Experience everything as power, wisdom and beauty. Be free to heal, and free to create.
This is apparently a good week for the number eleven! See yesterday’s post.