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Well this is a strange and cool surprise! Several years ago I heard from Scott Roewe, Music Director at Unitarian Universalists of Santa Clarita, California. He had come across “Jai Ma” and wanted to perform it for one of their services. I was on my way for a bit of an L.A. adventure this March (more on that soon), and I thought of getting in touch with Scott. I wound up with a Sunday morning gig (after a late night of Saturday night dancing) and some good connections and collaboration. Before the trip, Scott invited me to enter a UU song contest. I procrastinated on it, but eventually sent “Shivo Ham” and “Blessed Be, Namaste.” Good thing I got around to it. I was psyched to find out yesterday that “Blessed Be, Namaste” is one of their winners. I never thought I’d write a song that might one day have the potential to be performed as a UU hymn. I’m glad some people have found a positive resonance with this tune.
“Blessed Be, Namaste” appears on This. (2012).
May 6, 2016
Hello to all that submitted music for the 2016 Silliman hymn competition!
Thank you for you contribution.
The winners are….
Blessed Be, Namaste
Music & Lyrics Robin Renee
From Atco, New Jersey
For the Beauty of the Earth
Music by Lia Davis
Lyrics by Folliott Sandford Pierpoint
From Denver, Colorado
Music by Elizabeth Scribner/Christine Lucas
Lyrics by Annie Pal
From Glenn Allen, Virginia
Let Peace Expand
Music & Lyrics by Lisa Murray
From Temple New Hampshire
The Light Of the Spirit
Music by David Kent
Lyrics by Rev Sarah Tinker
Maidwell, United Kingdom
Seed of Hope
Music & Lyrics by John Kramer
From Jamaica Plain, Massachusetts
The Stream of Life (Come Take My Hand)
Music by Elizabeth Scribner
Lyrics adapted from Rabindranath Tagore
From Davidson, North Carolina
Music by Chris Hayden
Lyrics by Myrna Adams West
From Athens, Georgia
One Small World
Music & Lyrics Lucy Holstedt
From Somerville, Massachusetts
Open Your Heart To The Joy
Music & Lyrics Cheryl Ritch
From Fredonia, New York
People of Hope
Music & Lyrics Darryl Loiacano
From Kalamazoo, Michigan
A special thank you to the Judges for their contribution.
Rev. Mary Katherine Morn | Director of Stewardship and Development and Special Advisor to the UUA President
Bailey Whiteman – Choral Director for the Washington Ethical Society, Washington D.C.
Bertram Gulhaugen – Music Director Westside Unitarian Universalist Congregation Seattle, Washington
Each winner will receive $100, and have their music read down and recorded at the upcoming UUMN conference in Madison, Wisconsin July 20th – 24th.
UUMN Director of Publications
Santa Clarita, California
I’ve been telling myself this for a while now, and I’ve started to say it out loud. In terms that sound like what a visual artist might use, I have to say this is my post-kirtan period. In the past, I’ve called my music Bohemian-Glam, and more recently, Mantra-Pop. I guess in a way all those terms remain part of what I do since all that I’ve done will inform what comes next. There’s something that also appeals to me about the manufactured nature of any terms to describe music; they can point to a combination of sound and concept, at best, but you really get to make it up. Maybe I’ll declare “Post-Kirtan” a sound all its own.
This acknowledgment is showing up at a time that in my personal life I am actually coming back to yoga and chant music after a time of separation from most everything to do with it. Staying away was necessary for some shifting relationship self-preservation for a while, but I am glad to reclaim those practices that work for me now, in earnest. I am humbled to hear from so many people about how the work I’ve done with kirtan has had a positive effect. I won’t forget that. I am listening to mantra as I write this.
What I’ve known for a while, though, is that what feels like the peak time in my life to focus on chant, at least in terms of performance and recording, has passed. I have slowly been getting comfortable with this, and talked about it somewhat on the Positive Energy TV show in the summer. That doesn’t mean I won’t facilitate kirtan and other contemplative practices in public spaces at times. In fact, I just booked a concert and kirtan event for April 16th in Plainsboro. It doesn’t mean I won’t record kirtan if it arises again, or sing with the Kosmic Kirtan Posse, if asked. What it does mean is that I’m acknowledging how much I’ve missed being the full-on singer/songwriter, how necessary that path is for me, and it’s the path I set myself back on now. This is the path where the healing and power seem to occur most naturally for me.
It has been mildly traumatic finding the confidence to write again in the way I know I can, and focusing back on club gigs and beyond feels daunting. How did I lose that trail for so long? At least I have some sense of what’s worked before, what definitely didn’t, and some ideas about where I’d like to go. It’s time to ring in the new!
This Friday, I’m doing a two-set café show with Jessica Floresta on vocals and viola. It is a small gig in a very familiar place. I will be very happy to perform there, and I hope you’ll join us if you can. Each bit I do to prepare for it feels like a little triumph; a lessening of the distance between myself and where I need to be.
Come see us Friday, December 4th at grooveground, 647 Haddon Avenue, Collingswood, NJ, 8pm.
This summer’s treks to points west were good ones. Over the past couple years, the odd niche of concert performance, kirtan, SubGenius shenanigans, and Devo worship has been fun. It also reminds me that the width of Pennsylvania is substantial, and that a gig or two along the way to Ohio would make for reasonable stopping points. I have made such idle complaints from time to time. For the most part, I am happy to travel, often alone. I’ve taken a lot of life that way.
I still thrive with a fair amount of aloneness. Lately, there has been more time filled by getting emotionally in line with writing than actually writing, but I’ve recognized that as a necessary part of my process. I don’t love this fact, but it is what it is for now.
I am happy to say that the balance of aloneness to togetherness has changed in the direction I’d hoped. Back on 2011 I wrote about preparing a place in my heart, mind, and home for poly family. It has been a long road and for a while it was best to mostly forget about. I didn’t dwell in a state of constant longing or go on a relationship quest. That hasn’t been my way. I have, though, allowed myself to be conscious of the intention.
This summer was the first time I took the mini tour to the Cleveland area with a partner. It was an easy-going, great experience to have a friend and lover (not to mention driver, roadie, and general assistant!) along for the trip. Here’s hoping for many more travels to local and faraway places. I do like to stay in motion, but even more than that I love the prospect of an emotional and spiritual traveling companion – Someone who wants a support system to navigate the twists and turns of the mind and is up for the task of being so for me as well.
I’ve never been set on the configuration my poly family should take. I’ve been one to allow relationships to develop as they will without a lot of engineering from the outside. In this case, I find myself developing deep bonds and becoming part of a family already well in progress. I had the chance to talk about our connection this week at Poly Role Models. There are ecstasies and practicalities, even-tempered positives, and some challenges I do my best to look at clearly. I’m up for all of it.
It’s a good thing that calls for appearances have been making room for themselves in the midst of my quiet intention toward personal life and personal growth. I have a few gigs coming up – one at the Center for Relaxation and Healing in Plainsboro, NJ on November 6th and one pending for Collingswood in the same time frame. I’m also gearing up to kick off the 2016 Caldera Pagan Music Festival in LaFayette, GA this coming May. I’ll be putting together a string of East Coast gigs to make my way south and back. I may have companionship for a few of those gigs, and by circumstance, I’m likely to also take on some alone. Those logistics are still some distance away. Either way, I have a sense of mutual support in my life these days, and that makes all the travels feel grounded in the heart space. It’s been a very long time since I’ve felt quite that way.
I thought it would be cool that my article on Joan Armatrading’s Track Record would come out on a day coinciding with LGBT Pride weekend in NYC. I had no idea how *perfectly* timed it would be!
Thanks to the wonderful folks at Biff Bam Pop! for the opportunity to write a bit about why Joan Armatrading is a musical joy and a cultural inspiration.
… and Happy Marriage Equality to one and all!!
Back in the early 2000’s, I wrote for several different Central Jersey newspapers. It was never a style of writing that I loved exactly, but I learned I was pretty good at finding the formula and building what was needed. One of the best things about this kind of freelance work was discovering I could request interviews with all kinds of amazing, well-known people. Within a few days I could be in the midst of a great conversation with someone I admired all my life. I would sometimes suggest writing about shows I knew of and had a personal interest in covering, but just as often I’d pick up assignments. I felt blessed – and quite a bit nervous – when I was given the opportunity to interview B. B. King.
He was coming to The New Brunswick State Theatre, The Count Basie Theater in Red Bank, and The State Theater in Easton, PA in January 2004. We had a brief phone conversation and I captured the quotes I needed to construct a few paragraphs and let readers know he was coming to town. At the show in New Brunswick, what I remember most is how little I was able to say to him in person. I am not generally starstruck, but then again, here was a legend beyond legends. What could I really say? I remember talking to a few of his band members and being impressed by how crisply they were dressed and how they referred to him solely as Mr. King. When I got through the meet-and-greet line I shook his hand and let him know I was the one who spoke to him for the show preview. He smiled and said he’d been curious to meet me. I got a quick autograph, then realized I was without words. I slipped back into the room and just observed for a little while before leaving. I’ve come to remember this show in a way similar to how I recall seeing Ravi Shankar perform in Philadelphia. In each case it was incredibly moving and mostly beyond descriptive language to hear and witness an absolute master.
Here is some of what I wrote by way of announcing the shows in 2004:
On the cover of his latest studio CD, “Reflections,” B. B. King, with eyes closed, looks absorbed in sweet concentration, like a man offering a loving prayer, or an artist fully consumed by the music we will find therein. Yet, the 78-year-old guitar pioneer thinks of himself in simpler terms. “I’m kind of what you call a country boy. I was born and raised on the plantation,” he says of his origins in Itta Bena, Mississippi.
A simple country boy, perhaps, but with a difference: He can play the guitar like nobody’s business. He sings with deep conviction that retains that hint of hurt and grit that only authentic blues can deliver. The “King of the Blues” will rule the land Tuesday at the State Theatre in New Brunswick, and at Easton PA’s State Theater on Thursday.
“Everybody has, believe it or not, a soul, and everybody feels something… I play things that I feel and enjoy doing,” he reveals during a telephone interview before a concert in Quebec City.
Revered by rock favorites like The Rolling Stones and Eric Clapton, his profound influence on the face of music across genres and decades continues. In 1948 he left farm work for Memphis, Tennessee, and he had his first hits, “Three O’Clock Blues” and “She’s Dynamite,” by 1951. His signature song, “The Thrill Is Gone” scored his first Grammy in 1970. King paired with Clapton on “Riding with the King” in 2000, and he shows no signs of slowing down.
King recalls the making of “Reflections,” his 32nd album. “I think we got some pretty good work on it. I don’t think I’ve ever made a perfect CD,” he says modestly.
I am even more astounded by his humility today than I was then. This quote is so startling:
“I always find faults in nearly everything I’ve done, but still people seem to give me compliments…and I accept that. I think the people’s judgment is much better than mine.”
I don’t believe it was false humility. I do hope he ultimately knew and truly experienced his own brilliance and the joyful sounds he brought the world.
Rest well, Mr. King.
I love the periodic opportunity I get at Biff Bam Pop! to wax poetic about one of my favorite obsessions. Today, they published my piece on Steely Dan. I share some of my favorite tunes and some experiences in fandom. Check it out!
Biff Bam Pop! and The Dream Between would both love your shares and comments. Thanks!
The other evening I was at the South Jersey Writers meetup and I announced to my friend Glenn Walker that I like music again. The look on his face let me know it was a puzzling statement. It is not a surprising concept to me, but I was surprised to hear those words coming out of my mouth and to another person.
It was a somewhat equivocal statement. I always like music. I often require lots of silence around me, but I leave space in my world for singing when the spirit moves and listening to favorites (Today it’s Wall of Voodoo.). That said, I have felt a separation from making music for a while. I’ve written an awful lot about not writing, so I won’t bore you or myself with that. What used to feel like an uncomfortable alienation from creative source feels like synergy now.
Even though I haven’t produced many songs of late, I am very happy with “Everybody Does the Best They Can” that I performed with Jessica Floresta at the Soma Center in Highland Park. There are more where that came from, still dwelling in my head. Now is the time for me to be gentle with myself and let the songs emerge when they will. I don’t mind the gentle reminders from Glenn, other friends, and potential collaborators. I am on the mission. I am also very aware of the value of the other creative things I am doing now and I feel at peace in following the trail of the creative impulses that are calling me.
My dreams have been inspiring in recent weeks. I’ve been enjoying writing them down and the morning contemplations that result. Being part of the Audacious Eleven podcast is one of my favorite expressions right now. Recent episodes have been about Luck in the Tarot, The Buddhist Excuse, People Behaving Badly, and What Hollywood Does to Our Favorite Books.
I have been very busy with SEO, Web Design, and Social Media Management. I really dig it. I used to keep my musical and creative writing life separate from any of my “other work.” My experience of this is entirely different now. I appreciate the orderly and concrete more than some may imagine, and this branch of my work has given me a sense of much needed productivity and stability. It has been an important factor in my feeling that much happier in creative space. I have been working a lot my friend Brian Loebig at Loebig Ink. We met a number of years ago when he was booking shows at the 5th Street Coffeehouse in Philadelphia and he recruited me to perform.
In other news, two weeks ago my good friend Betty invited me to be an extra in her actor/producer brother’s comedy horror movie. It was a blast being a vampire for a day! Last weekend, I was invited to play guitar for the very talented Brienna DeVlugt for two very different happenings – a Lord & Taylor fashion show and later that same day for a West Philly community event. In February I created a workshop focusing on non-binary gender identity at the Poly Living conference. Sometimes no matter what I do, I perpetually feel less busy and less productive than I’d like to be, but as I say, I try to be gentle with myself and take time to appreciate this eclectic cycle of events.
I have had a lot of activity out in the world given the internal shifts and changes and inner work that has needed attention. I recently had the fastest end of major relationship and beginning of new major relationship I’ve ever experienced in my life. This has been a lot to process. I am trusting. My head and heart have been spinning now for the better part of a year, and now I find myself happy and centered in a space of love.
This year, there will be songs and I predict projects I haven’t even yet considered. I am in the mood to simply see what’s next. Right now life has a lot to do with peaceful enjoyment, finding – and creating – day-to-day stride, and nurturing precious new connections.
I wrote a piece on one of my favorite albums for BiffBamPop.com. Here is a description of the column.
Each week, one of Biff Bam Pop’s illustrious writers will delve into one of their favorite things. Perhaps it’s a movie or album they’ve carried with them for years. Maybe it’s something new that moved them and they think might move you too. Each week, a new subject, a new voice writing on… something they love. This week, BBP contributor Robin Renee talks about Gary Wilson’s You Think You Really Know Me.
Check it out and let me know what you think:
I’ve been getting ready for a show this Saturday at The Soma Center in Highland Park, NJ, very much in my old stomping grounds near Rutgers University. I really like how Jessica sounds on vocals and viola. I think we have a good combo in sound and personality. This past Friday we played a mini house concert that served as a good dressed rehearsal for this weekend’s show. I didn’t feel quite ready to play one of the songs from the new material I’ve been writing, but I definitely want to get “Everybody Does the Best They Can” on Saturday’s playlist. Songs always feel like works in progress for a while after I start letting them out into the world, anyway. I do think they have to be let out in order to grow into their strongest form. Saturday will be a 2-for-1; after the concert will be Bhakti Dance! – an event I have been creating over the past year in Pennsylvania and in Ohio. I am hoping for a good “hometown” crowd for it this time. All this should feel more or less like part of the usual program; even better in a place where I am most at ease. It is actually a bit more complex at the moment, though thankfully not profoundly so – at least not anymore. 2014 has been a very weird year. I won’t write a book about it here, but suffice it to say that this year I found myself in close proximity with some practices and beliefs that were very off-putting (That would be somewhat of an understatement.). It was being called yoga, and it looked like yoga. I suppose it is yoga of a sort, but not one with which I care to interface. I can’t claim to know the inner life of anyone else, but it seemed to be a yoga of doctrine over discovery. It was clearly of mind over heart – a kind of academic belief in interconnectedness, but profoundly lacking in compassion. I could go on, but there is no need. There has been so much more to the journey than this, but one of the effects of opening my intimate circle to this bizarre detour has been to have to question all, to move through a real, but thankfully temporary fear of yoga and spiritual practice in general. I have had to rediscover for myself what these things are and what parts of them, if any, I want in my life. It has generally not been a good feeling, but it surely is powerful to tear everything down (or to have it torn down) to rebuild what is good and what matters. For a while, I wasn’t sure if I could go back to the part of my world that has been about facilitating kirtan and other yoga-related practices. Thanks to the help of genuine friends and my own journey through these months of decompression, reading, and sorting out what is helpful and for the highest good and what just isn’t, I have been teasing out and rediscovering all the elements of a contemplative, spiritual way of being that do resonate: Balance and integration are everything. Knowing and feeling the value of all beings is truth. The yoga that guides me and that is my daily way is doing the work of growth and finding the perfection in the messiness of real, everyday life, not in the aloof or abstract, but the embodied. Yoga is nothing if not about getting to the heart of love. I am relieved and quietly joyful to get back to my own daily meditation practice and my writing. The concert and Bhakti Dance will be so much fun on Saturday. I am glad to say it will come from a genuine place of opening to joy and enjoyment, finally unafraid.
Saturday, December 6th 6:30pm Soma Center *concert and Bhakti Dance! 511 Raritan Ave, Highland Park, NJ 08904 732-777-9642 w/ singer/violist Jessica Floresta Concert performance 6:30-8pm Bhakti Dance! 8:30-10pm $12/either event, $20/the evening Bhakti Dance! is a fun, transformative, alternative social event – Think of the high school dance only with great kirtan, mantra dance music, an uplifting party playlist, and none of the drama. Refreshments available.