You are currently browsing the category archive for the ‘Music’ category.
Back in the early 2000’s, I wrote for several different Central Jersey newspapers. It was never a style of writing that I loved exactly, but I learned I was pretty good at finding the formula and building what was needed. One of the best things about this kind of freelance work was discovering I could request interviews with all kinds of amazing, well-known people. Within a few days I could be in the midst of a great conversation with someone I admired all my life. I would sometimes suggest writing about shows I knew of and had a personal interest in covering, but just as often I’d pick up assignments. I felt blessed – and quite a bit nervous – when I was given the opportunity to interview B. B. King.
He was coming to The New Brunswick State Theatre, The Count Basie Theater in Red Bank, and The State Theater in Easton, PA in January 2004. We had a brief phone conversation and I captured the quotes I needed to construct a few paragraphs and let readers know he was coming to town. At the show in New Brunswick, what I remember most is how little I was able to say to him in person. I am not generally starstruck, but then again, here was a legend beyond legends. What could I really say? I remember talking to a few of his band members and being impressed by how crisply they were dressed and how they referred to him solely as Mr. King. When I got through the meet-and-greet line I shook his hand and let him know I was the one who spoke to him for the show preview. He smiled and said he’d been curious to meet me. I got a quick autograph, then realized I was without words. I slipped back into the room and just observed for a little while before leaving. I’ve come to remember this show in a way similar to how I recall seeing Ravi Shankar perform in Philadelphia. In each case it was incredibly moving and mostly beyond descriptive language to hear and witness an absolute master.
Here is some of what I wrote by way of announcing the shows in 2004:
On the cover of his latest studio CD, “Reflections,” B. B. King, with eyes closed, looks absorbed in sweet concentration, like a man offering a loving prayer, or an artist fully consumed by the music we will find therein. Yet, the 78-year-old guitar pioneer thinks of himself in simpler terms. “I’m kind of what you call a country boy. I was born and raised on the plantation,” he says of his origins in Itta Bena, Mississippi.
A simple country boy, perhaps, but with a difference: He can play the guitar like nobody’s business. He sings with deep conviction that retains that hint of hurt and grit that only authentic blues can deliver. The “King of the Blues” will rule the land Tuesday at the State Theatre in New Brunswick, and at Easton PA’s State Theater on Thursday.
“Everybody has, believe it or not, a soul, and everybody feels something… I play things that I feel and enjoy doing,” he reveals during a telephone interview before a concert in Quebec City.
Revered by rock favorites like The Rolling Stones and Eric Clapton, his profound influence on the face of music across genres and decades continues. In 1948 he left farm work for Memphis, Tennessee, and he had his first hits, “Three O’Clock Blues” and “She’s Dynamite,” by 1951. His signature song, “The Thrill Is Gone” scored his first Grammy in 1970. King paired with Clapton on “Riding with the King” in 2000, and he shows no signs of slowing down.
King recalls the making of “Reflections,” his 32nd album. “I think we got some pretty good work on it. I don’t think I’ve ever made a perfect CD,” he says modestly.
I am even more astounded by his humility today than I was then. This quote is so startling:
“I always find faults in nearly everything I’ve done, but still people seem to give me compliments…and I accept that. I think the people’s judgment is much better than mine.”
I don’t believe it was false humility. I do hope he ultimately knew and truly experienced his own brilliance and the joyful sounds he brought the world.
Rest well, Mr. King.
I love the periodic opportunity I get at Biff Bam Pop! to wax poetic about one of my favorite obsessions. Today, they published my piece on Steely Dan. I share some of my favorite tunes and some experiences in fandom. Check it out!
Biff Bam Pop! and The Dream Between would both love your shares and comments. Thanks!
I wrote a piece on one of my favorite albums for BiffBamPop.com. Here is a description of the column.
Each week, one of Biff Bam Pop’s illustrious writers will delve into one of their favorite things. Perhaps it’s a movie or album they’ve carried with them for years. Maybe it’s something new that moved them and they think might move you too. Each week, a new subject, a new voice writing on… something they love. This week, BBP contributor Robin Renee talks about Gary Wilson’s You Think You Really Know Me.
Check it out and let me know what you think:
I’ve been getting ready for a show this Saturday at The Soma Center in Highland Park, NJ, very much in my old stomping grounds near Rutgers University. I really like how Jessica sounds on vocals and viola. I think we have a good combo in sound and personality. This past Friday we played a mini house concert that served as a good dressed rehearsal for this weekend’s show. I didn’t feel quite ready to play one of the songs from the new material I’ve been writing, but I definitely want to get “Everybody Does the Best They Can” on Saturday’s playlist. Songs always feel like works in progress for a while after I start letting them out into the world, anyway. I do think they have to be let out in order to grow into their strongest form. Saturday will be a 2-for-1; after the concert will be Bhakti Dance! – an event I have been creating over the past year in Pennsylvania and in Ohio. I am hoping for a good “hometown” crowd for it this time. All this should feel more or less like part of the usual program; even better in a place where I am most at ease. It is actually a bit more complex at the moment, though thankfully not profoundly so – at least not anymore. 2014 has been a very weird year. I won’t write a book about it here, but suffice it to say that this year I found myself in close proximity with some practices and beliefs that were very off-putting (That would be somewhat of an understatement.). It was being called yoga, and it looked like yoga. I suppose it is yoga of a sort, but not one with which I care to interface. I can’t claim to know the inner life of anyone else, but it seemed to be a yoga of doctrine over discovery. It was clearly of mind over heart – a kind of academic belief in interconnectedness, but profoundly lacking in compassion. I could go on, but there is no need. There has been so much more to the journey than this, but one of the effects of opening my intimate circle to this bizarre detour has been to have to question all, to move through a real, but thankfully temporary fear of yoga and spiritual practice in general. I have had to rediscover for myself what these things are and what parts of them, if any, I want in my life. It has generally not been a good feeling, but it surely is powerful to tear everything down (or to have it torn down) to rebuild what is good and what matters. For a while, I wasn’t sure if I could go back to the part of my world that has been about facilitating kirtan and other yoga-related practices. Thanks to the help of genuine friends and my own journey through these months of decompression, reading, and sorting out what is helpful and for the highest good and what just isn’t, I have been teasing out and rediscovering all the elements of a contemplative, spiritual way of being that do resonate: Balance and integration are everything. Knowing and feeling the value of all beings is truth. The yoga that guides me and that is my daily way is doing the work of growth and finding the perfection in the messiness of real, everyday life, not in the aloof or abstract, but the embodied. Yoga is nothing if not about getting to the heart of love. I am relieved and quietly joyful to get back to my own daily meditation practice and my writing. The concert and Bhakti Dance will be so much fun on Saturday. I am glad to say it will come from a genuine place of opening to joy and enjoyment, finally unafraid.
Saturday, December 6th 6:30pm Soma Center *concert and Bhakti Dance! 511 Raritan Ave, Highland Park, NJ 08904 732-777-9642 w/ singer/violist Jessica Floresta Concert performance 6:30-8pm Bhakti Dance! 8:30-10pm $12/either event, $20/the evening Bhakti Dance! is a fun, transformative, alternative social event – Think of the high school dance only with great kirtan, mantra dance music, an uplifting party playlist, and none of the drama. Refreshments available.
I got to see Berlin @ World Cafe Live in Philadelphia last night. It was an excellent show. Postponed from May 1st because of severe weather that knocked out the venue’s power, this time there was an intense downpour to contend with to get from my car to the building, but no big deal. I went to the show with my friend Andy Campbell, who suspects Terri Nunn may be a rain goddess.
I could wax poetic about the show, which really did go above and beyond – Her voice is in excellent form, the new songs were very good, sometimes surprisingly emotional, and I really liked the way they revamped the classic tunes, especially “Pleasure Victim,” stripped down, so to speak, to piano and voice.
My friend Andy, who said he could barely remember winning anything, was chosen for the after show meet & greet in a random drawing. I was happy that he chose me as his +1, and just as happy that the show actually happened this time. We were waiting for only a short while by the stage until Terri came out to say hello to the small group of waiting fans.
Andy complemented her on the show and had a brief but deep conversation about the life and death of her father, actor Larry Nunn, about whom she sang in “Blame it on the World.” When I got to the table where she was chatting and autographing, she asked me about my choice of T-shirt.
“Sex Geek,” she read. “Well, I guess people ask you, right? Why are you a sex geek?” I explained with a winking smile attitude that I like to know as much as I can about the things in life I enjoy the most. I told her it is actually a T-shirt design by my friend Reid Mihalko, a sex and relationship educator. “What does he teach?” she asked. I wasn’t expecting to give Reid’s elevator speech in that moment, and I don’t remember exactly what I said. I think the words “openness in sexuality, honesty, and integrity” were involved in what I felt was likely way too concise a description. She smiled, said “All right!” and gave me a high-five.
I gave her a download card for All Six Senses, which is the older recording of mine I seem to enjoy the most these days. She seemed genuinely psyched that I am also a musician and I gave my music elevator speech (NOT my elevator music speech), which was probably even more truncated than the one I gave for Reid. I handed her my cassette copy of the Pleasure Victim album for her to sign. She laughed. “A cassette! Do you actually listen to this?” “Not lately,” I told her, also laughing. “It is quite an artifact, isn’t it?” She agreed.
I got my photo op and we said goodnight (I wish I had been standing more straight ahead so it doesn’t look like my shirt says “SEX GEE,” but oh well, it was in the moment.). “Keep playing,” she called out as we were walking away. I intend to – in all good ways possible.
(This piece was written by my “cousin-in-law,” Max Mania. In it, he mentions Dale, who is his wife/my cousin.)
…And they’re gone. With the death of original drummer Tommy, all four of the original members of the Ramones are gone. Even in death, the Ramones have done it their way, the pure way. I mean, think about it…A lot of bands have had some of their original members die (the Rolling Stones, the Who, the Doors, the Beach Boys, AC/DC, Nirvana, etc.), but how many have had all of their original members die? Talk about four the hard way, y’know?
Needless to say, the Ramones meant a lot to me, and to countless other people around the world. Driven by the insistent rhythm instituted by Tommy, they embodied equal parts fun, insanity and an unequaled purity of vision. In the end, they embodied everything that makes rock and roll so compelling, boiling it down into two minute bursts of perfection that were as American and as addictive as potato chips. You can’t stop with just one.
As someone who loved the Ramones when they were still a functioning unit, it’s been fascinating to watch their stature and reputation grow in the two decades since they called it quits. When I saw them for the last time, on their last tour, they were headlining the Warfield in San Francisco, capacity around 2,000. Their final studio album, Adios Amigos, was, of course, tanking, and the talk of their impending retirement didn’t seem to be causing more than a tiny ripple in American popular culture.
The Ramones circa that last year, 1996, were remarkably similar to the Ramones of 1974, the year that Tommy, Joey, Johnny and Dee Dee started the band. The Ramones often got knocked for this perceived “lack of ability to change or evolve.” I think the members of the band would have simply said they got it right the first time, so why mess with success?
And, in the end, their formula unquestionably was a success. The end of the band itself, and the beginning of their truly fatal bad luck, was, perversely, the beginning of their wider recognition and mainstream popular acknowledgement. Joey, not quite making it to his 50th birthday in 2001, also just missed the band being inducted into the Rock and Roll Hall of Fame – an honor bestowed upon them by their peers the very first year the band was eligible. By the time poor, tormented Dee Dee died the next year, you were starting to hear Ramones songs creep their way into commercials.
By 2004, when Johnny died, the Ramones tribute industry (for lack of a better term) was in full swing. The Ramones tribute album, We’re a Happy Family, featured a pretty stunning array of million-selling, superstar artists – U2, Metallica, Green Day, Eddie Vedder, the Red Hot Chili Peppers, and most perfectly of all, KISS – performing covers of Ramones songs. At New York Yankees games, you would hear their fans chanting Hey Ho, Let’s Go! In Glasgow, locals tweaked it to Hey Ho, Glasgow! The band was a staple on charts and articles about The Greatest Bands Ever, The Greatest Songs Ever, The Greatest Fill-in-the-Blanks Ever. The adulation seemed to have no end.
Now, with both the regularity that you see the band evoked, hear their music everywhere (Dale has heard I Wanna Be Sedated at Safeway), and see the attention given to Ramones when they die, their transformation from outsiders to insiders is complete. The way they are respected and represented, you’d think they’d been actual Top 40 pop stars all along. In their article about Tommy’s death, here’s how People magazine sums the band up:
“The band influenced a generation of rockers, and their hit songs I Wanna Be Sedated and Blitzkrieg Bop, among others, earned them an induction into the Rock and Roll Hall of Fame in 2002.”
Uh, needless to say, those songs were very much not hits when they were originally released as singles in the 1970s. But now, with some 20/20 hindsight and a pinch of revisionist history, hey, the Ramones were right all along. (Related digression: I was called away from writing this by Dale, who let me know that NPR was doing an extended piece about Tommy passing away.)
And so it is that, with a perfect piece of Ramones luck, Tommy lived just long enough to see the Ramones first album, the seminal Ramones, finally be certified as a Gold Album earlier this year – 38 years after it was released. Though the music of the Ramones was generally fast and furious, their acceptance into the mainstream of the American music business is closer to the old adage: Slow and steady wins the race. Thus, not only can you hear a Ramones song in a recent Cadillac commercial, but in that same commercial the Ramones themselves are invoked as a great, original American creation.
They were that, and so much more. In all of the thousand possible ways I can think of to describe the effect the band has had on me, and my life, I think the simplest is probably the most appropriate. No matter how many thousands and thousands of times I have heard their songs, I still find it impossible not to physically respond to them. So there I was a few minutes ago, listening to Blitzkrieg Bop on NPR, tears welling up in my eyes, my foot bouncing up and down in time to Tommy’s drumming.
As the band might have put it, the mental patients have taken over the asylum, and popular culture, for better and for worse, will never be the same again. I loved the Ramones for all of their lives, and I will love the Ramones for all of my life.
The Ramones are dead. Long live the Ramones.
I am planning my eclectic summer – feeling like it’s going to be a good one. Bhakti Dance! is on Saturday –It is one of the events I look most forward to these days. Dancing, in general, continues to save my life. My new partner is completely immersed in salsa and African dance – Maybe this New Wave chick will be learning some new moves.
Earlier this season, I was getting traveler’s blues in such an intense way. I didn’t have any major plans for a tour but I was seriously missing being on the road and started dreaming of taking a summer or fall cross-country drive. I was especially missing my friend Carol in Kansas City, and lo & behold, she wrote to see if I am coming out that way this year. No official plans yet, but with another call in for a potential show in Corvallis, OR (I won’t jinx it by saying more), I can start to envision something exciting coming together for this year.
Some of the usual fun stuff is on the horizon, with treks to Ohio for kirtan and DEVOlved bluegrass with the Mutant Mountain Boys. Before then, I’ll be happy to be part of the Hub City Music Festival again. Val at Rainbows of Healing has set up some more kirtan in the venues she works with in PA, and I feel good about keeping Bhakti Dance! going as a regular thing. Looks like I may head up to MA as well – Where is my teleportation device?
I still don’t know if this year will look like a tour or a bunch of excursions, but it is sure looking like I’ll be back in motion before too long. Want to help me in my travels? If you have or know of a venue, concert series, or alternative space that will host a concert, kirtan, or other event for this summer, the rest of 2014 and beyond, please do let me know ASAP: firstname.lastname@example.org. The schedule will be growing, and I’d love to add your city to it.
Saturday, March 15th 7-9pm 1/$15, 2/$20
10 N. Main Street, 3rd Fl.
Yardley, PA 19067
For more info: http://rainbowsofhealing.com/bhakti-dance/, About YogaLove: www.LiveYogaLoveLife.com
Come out on a Saturday night for a little bit of chanting and a whole lot of free form movement. Bhakti Dance! is a fun, transformative, alternative social event – Think of the high school dance only with great kirtan, mantra dance music, an uplifting party playlist, and none of the drama! Snacks and drinks will be available for purchase.
Friday, March 28th 7-8:30pm $10 suggested donation
10 N. Main Street, 3rd Fl.
Yardley, PA 19067
For more info: http://rainbowsofhealing.com/kirtan-with-robin-renee/, About YogaLove: www.LiveYogaLoveLife.com
Wednesday, April 9th 6:30pm
Hub City Music Festival
7 Livingston Avenue, New Brunswick, NJ 08901
w/ Sounds of Greg D, Adam Bernstein, and Barbecue Bob
benefits Elijah’s Promise
Sunday, April 27th 4:30-5:30pm
The Peace Center
102 West Maple Ave, Langhorne, PA 19047
17X-Day @ Wisteria Campground
w/ The Mutant Mountain Boys!
*performance date/time and more info TBA
Saturday, August 16th
w/ The Mutant Mountain Boys!
15711 Waterloo, Cleveland, OH 44110
*more info TBA
It may sound a bit morbid, but at times I practice how to feel when people significant to me die. I don’t mean to do it in the sense that I set aside a time for mortality drills or something. It’s that every once in a while I realize how profoundly I idolize certain people. Somewhere in my mind I recognize that in the event such a person would pass away, I could really freak out. So I allow myself to think about it, if only for a moment. I let myself feel little bits of the emotion at a time. I’ll recognize the person’s huge contribution to my life, art, or world culture. I may even imagine something productive I might do when I hear the news.
I was on a short break from figure modeling yesterday when I saw the news on my cell phone about the sudden death of Bob Casale of Devo. I had prepared a little for such a moment. There were times when I’d find myself looking at a classic image of Devo, allowing my mind to wander through how I might feel when not all five of those guys are still with us. Then came the sad news about Alan Myers last June. It took me days before I could even speak of Alan’s passing. However, bad news is just that, and it hasn’t been a whole lot easier to wrap my brain around the loss of another member of my favorite band. Through all of the passive prep work, I never imagined having to sit for an hour and a half for a painting class before really reacting. The still contemplation time was probably exactly what was needed.
I’ve been to a lot of Devo shows and since 2004, I have had a number of great opportunities to hang backstage and elsewhere with them. Bob 2 was always cool, friendly, and even-tempered. While other band members may have been a little intense to be around, that was never the case with Bob. My favorite memory of him was the time he came to DEVOtional, the fan event held in Cleveland, in 2009. Aside from being a great musician who had his own unique way of holding together the band’s sound, he was also quite the chef. He actually prepared a menu, came to our event, and served lunch for a club full of DEVOtees. How awesome is that? At the time, I was annoyed that a miscommunication led to him not getting the word on saving aside some vegetarian fare for a few of us, so there wasn’t a lot for me to eat. But his taking time out to be with all of us was the main point. I had the pasta, and it was yummy. Last night, I cooked up some angel hair marinara and remembered a very kind guy.
2/25/14 Addendum: My friend and fellow fan Richard J. Anderson just posted a moving essay on Bob Casale @ Sanspoint.com. It is definitely worth reading.
The first time I met Tarot Grandmaster Christiana Gaudet, I believe it may have had something to do with an impromptu seasonal celebration ritual held in a hot tub. Over the years, I’ve grown to love and trust Christiana very much, and we share quite a few things like dedication to spirituality, a penchant for discussions on grammar and usage, naturism, and a serious enthusiasm for music (Robin is to Devo as Christiana is to The Grateful Dead.).
A little over a year ago, Christiana began hosting an online show called Christiana’s Psychic Café, and decided to use my songs “Funky Bhagavate” and “Blessed Be, Namaste” as her intro and outro music. She’s also invited me on the show to chat on quite a few occasions, so turnabout is fair play, as they say. I am so glad Christiana has taken part in The Dream Between‘s 11 Questions interview series. Here are some of her thoughts on science and mysticism, the rewards and business of writing and music, entrepreneurial spirit, and more.
1. Do you think of Tarot as an art? A system? A spiritual tool? I am interested in how you describe it to someone who hasn’t encountered Tarot at all.
Yes, to all of the above. One of things that fascinates me about Tarot is how unique it is in all the world, but how it is a part of so many worlds – art, culture, spirituality, and history.
Tarot is a book of spiritual wisdom in picture form that tells the story of human experience. Tarot is a collection of archetypes and symbols that can help us communicate with each other and with the divine. Tarot is a source of creative inspiration and a tool for magick.
2. How do you balance science and rationality with mysticism and spirituality in your life?
My belief system is grounded in the reality that I observe in my daily life, so there really is no disconnect between what I believe and what is obviously scientifically true. I believe the sun will rise in the morning, and I understand the movements of the planets that make that happen. But I also honor the rising sun as a spiritual force in my life.
Nature is my Higher Power. I am face-to-face with God every day. I don’t need complicated dogma and doctrine to know, feel, and experience spiritual truth. When I observe nature I learn all I need to know about Higher Power. I find spiritual power in the tides and the stars. I see the face of the Goddess in fire as it dances. I see the Four Elements, Earth, Air, Fire and Water, as spiritual forces operating in my life. The magnificence and improbability of the world around us lead me to conclude that a divine hand is at work. To me, science proves the existence of Spirit. There is so much order to the Universe, it seems a divine order. The more I learn about science the more I see the sacred nature of life.
I have an argument with many religions. If your doctrine doesn’t hold true to the obvious facts around you, it is time to change your doctrine. That’s an interesting concept given I believe that cards drawn at random can have specific bearing in a person’s life. But, truly, divination is as old as recorded history. Divination is something we do quite naturally. The same is true with earth magick. What child has not collected rocks and shells from the beach, or sticks from the woods, knowing, deeply and inherently, that these items hold power?
3. You’ve written and published two books on the Tarot – Fortune Stellar and Tarot Tour Guide. Through those experiences, what are the most important things you’ve learned about the process of writing and publishing?
I learned that writing is an arduous task. If we only write when we feel inspired, we’ll rarely finish anything. If you force yourself to write whether or not you feel like it, the inspiration will come most of the time.
I also learned that writing is sometimes more about style than structure, and that typos are a fact of life.
I learned that publishing is rapidly changing. Whatever you knew about publishing in the past may not be true now. What we used to call “vanity press” is now “self-published” and is a viable avenue. The big publishing houses are crumbling, and self-published authors are actually making money.
I learned that unless you write a New York Times bestseller, the way to make money in writing and publishing is to be prolific. Yes, I am working on books three, four, and five right now.
Finally, I learned that books aren’t like fashion – they don’t have a shelf life. If you write a good book, that book will continue to sell year after year.
4. You and I connect a great deal around music and you’ve often incorporated music segments into your show, Christiana’s Psychic Café. What are you listening to lately?
The recent death of Pete Seeger has me revisiting my favorite folk singers. This week I’ve been listening to The Weavers, Pete Seeger, Holly Near, and Arlo Guthrie.
I listen to a lot of different genres. In terms of newer acts I like OneRepublic. Isn’t that cheesy? And I love Grace Potter and the Nocturnals. I think Grace has huge potential.
I’m a Deadhead. I catch as many DSO, 7 Walkers, Phil Lesh and Friends, Ratdog and Furthur shows as I can. We always wondered what would happen when Jerry died. Well, what happened was a lot of smaller bands mushroomed from the one. Fan musicians made it their mission to carry on the music, so there are still plenty of opportunities for us to experience those songs played live.
5. Does music help inspire your writing, preparation for readings, or other aspects of your work?
I can’t have music in the background when I write – I am easily distracted by shiny objects. I love meditative music, and I love chanting. I use music in magick and ritual quite a bit. Dance is an important part of my spiritual practice.
6. As the music business we once knew has changed so much since the Internet Age, many artists are struggling to understand how it will manifest in the future. Any predictions?
The changes in music are similar to the changes in publishing. On one hand, everyone has access. On the other hand, there are so many voices it is hard to be heard. I think one thing that is changing is there are more ways to be heard, and more ways to develop an audience. Often success will go to the diligent.
Where do I see things going in the future? I think there will be even more access to high-speed internet, recording technology, and marketing opportunities. I think the big labels, like the big publishing houses, will start to crumble. There will still be pop stars, but radio – the star maker of yesteryear – really is dying.
Right now, everyone who listens to adult contemporary knows the same songs. When Lorde won a Grammy, everyone knew the song. I see a time in the distant future where that might no longer be true. There might be so much variety available we will all listen to exactly what we like and we won’t all know the same forty songs.
In the meantime, my advice to artists would be three words: diligence, networking, and innovation.
7. Your show seems to have developed very organically and features many artists and practitioners who you know personally. How has this network of people come about for you?
When I agreed to do Christiana’s Psychic Café I knew I didn’t really have the time to take on such a project. I also knew I had a huge network of interesting people who would help me. Networks always grow. You were my very first guest. You, and many others, have introduced me to other people who have been great guests, and are now my friends. You are right about “organic growth.”
I have always been really good at bringing people together. I have organized festivals, huge parties, psychic fairs, and creative communities. It is something I do naturally. I am not as good at constantly nurturing a community. I am better at short-term projects and getting things started rather than tending them over long periods of time. Social media has allowed me to stay in touch with people that I have known over the past forty years. That is a lot of people, and a lot of energy, on which to draw.
8. In your work, you not only maintain a private reading practice, but you create a weekly newsletter, host the online show, and hold periodic worldwide Skype teaching sessions. What are your practical methods of generating many varied ideas and holding it all together?
I am grateful each day that my work allows me variety, creativity, positive human contact, and spiritual fulfillment. I work very long days, but I take frequent breaks. When I feel overwhelmed or under-inspired I picture myself working a regular job. That’s usually enough to get me back on track.
I have a lot of interesting ideas. They often come to me in the shower. My biggest problem is remembering them, since I can’t write them down while I’m washing my hair! So, the practical methods I employ boil down to gratitude for what I can do, fear of not doing it, and being open to inspiration!
9. What is the most gratifying aspect of your work?
Unfair question. That’s like asking a mother which of her kids is her favorite.
When I was really young I knew I didn’t have the ability to tolerate routines, power structures, boredom, and creative limitations. I needed to create a life where I had real passion for my tasks, and control over what those tasks would be. So I did. That my work is my work is my greatest gratification.
10. Do you have any advice or wisdom for anyone in any field who is striking out with your kind of entrepreneurial spirit?
Plenty. You have to want it so badly you can taste it. You have to believe in it when no one else does. You have to be willing to suffer for it. You have to be willing to do what it takes to make it happen, even when your friends are mad that you can’t play with them. If it were easy, everyone would do it.
When I was a theatre major at Baldwin-Wallace College for a semester I had a great teacher who said that success is the product of talent and tenacity. I think that is true for just about any kind of success.
11. What is the best course of action for creative artists in this Imbolc season?
Transform your fears, hurts, and disappointments into art. Let creativity be a source of healing for you, and let the depth of your pain energize your process. Let nothing be “good” or “bad” in terms of what you feel or what you produce. Experience everything as power, wisdom and beauty. Be free to heal, and free to create.
This is apparently a good week for the number eleven! See yesterday’s post.
For me, 2013 was a year of things coming together. I tried more than a few times to come up with a list of “Best Moments,” “Biggest Breakthroughs,” or whatever, but none of that really showed up fully formed. Besides, I imagine some people get as sick of that year-end stuff as I do.
What happened for me last year, honestly, was a subtler experience. I found myself growing in ways I hadn’t in some time – mostly to do with how I was allowing my mind to re-embrace happiness and creativity. I was determined not to chase after gigs to the detriment of balance and good business sense, and positive opportunities came my way. I found refocusing on health to be an easy, joyful thing. Community that I’d felt missing started to be in my life again.
I have sought connection with other polyamorous people since the mid-1990’s in one way or another. It has always been a positive, balancing thing to have a touchstone of sorts- a way to meet others who find that love emerges in similar ways as it does for me. I’ve been hosting or co-creating events with Philadelphia Mindful Polyamory Meetup for a while. I can say that last year I started to notice that what once seemed like only separate events and happenings started to feel more like forums for real connection. I have been meeting friends with whom I really want to create and I look forward to seeing often. I imagine this has much more to do with my readiness to reach out and to be out in the world than it does with others in the group. Apparently I’m back up for noticing good people, many of whom have been there all along.
At one of the coffeehouse poly meetups I co-facilitate in South Jersey, I met a student named Jessica who was studying polyamory and came to chat and ask questions. She also mentioned wanting to get back into playing music and I took down her info. I probably dragged my feet a bit about getting in touch, but I am so glad I finally did. Turns out she is a great singer and viola player, not to mention a smart and fun/funny person. We have the most ridiculous conversations sometimes! I was really pleased with the show we played last fall at World Café Live at the Queen in Wilmington, DE. This week we’ve been getting ready to perform next Friday at the Poly Living conference in Philadelphia. (A word about Skype rehearsal: It doesn’t really work. But Google+ Hangout is great for planning the set list.)
If you want to come check out Poly Living 2014, I’ll be singing on Friday, February 7th before keynote speaker Anita Wagner Illig, and again later that evening at the conference reception. I am really happy to have been invited to be part of it.
For more info & Poly Living registration: http://www.lovemore.com/conferences/polyliving