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I don’t read nearly as much as I’d like. I’m generally too busy writing something to give more than transient attention to the books I hope to absorb. This is a definite frustration for me – If I had 48 hours in a day I’d take some of those extra hours to sink more deeply into popular science and science journals, spiritual biographies, political nonfiction, and contemporary poetry, maybe even with time left over to escape into a few episodes of Regular Show or American Dad. Love of toons aside, as I’ve gotten more and more interested in trying my hand at writing some fiction, I do think I ought to start reading some of it now and again.
When my friend Glenn Walker (Welcome to Hell, French Fry Diary) asked me if I’d like The Dream Between to be a stop along Fran Metzman’s virtual tour for her new collection of short stories, The Hungry Heart Stories, I thought it was a fun and innovative idea. It was enjoyable to go into the reading experience with no preconceived notion of what to expect. What I found was that I’d need to leave my hope of escaping into stories aside. Witnessing the interactions of the characters in memorable situations led me to some meaningful reflection on relationships in my own life.
In My Inheritance, Metzman explores the difficult mother-daughter relationship, as she does later in Getting Closer. Frustration, indifference, avoidance, reconciliation, and hope are on the non-exhaustive list of elements thrown into the emotional soup. How does peace-making around the relationship between my mom and me compare?
How have I been like the woman in Christmas in August? What makes for healthy navigation through the end of a romantic relationship? Am I capable of distorted love and desire that could lead to the main characters’ acts in The Invisible Wife or Myra’s Garden?
Redemption prompts: How far could I or should I go to protect my loved ones and greater community? The construction of the stories invite writers’ inquiries, easily expanded: When is metaphor truly the best way to express an essential detail or experience? When will only plain words do? Metzman makes us privy to what her characters do, but the archetypal questions remain.
Author Fran Metzman is a graduate of the Moore College of Art and the University of Pennsylvania. She teaches writing at various Philadelphia area colleges and universities and co-authored her first novel, Ugly Cookies, with Joy E. Stocke. Her blog, “The Age of Reasonable Doubt” can be found at Wild River Review and deals with mature (sometimes immature) dating and relationships, as well as aspects of society that influence all relationships. The Hungry Heart Stories feature tales of people in crisis yearning for emotional sustenance, where food occasionally intersects the empty spaces in their hearts.
THE HUNGRY HEART STORIES
Wilderness House Press
ISBN 978 0 9827115 5 2
You can read more as the blog tour continues:
Wednesday, February 22nd
“Literary Debauchery” by Krista Magrowski
Thursday, February 23rd
Often while working on the daily pieces for NaPoWriMo, I am reminded of my experience of writing poetry in the Stone Age before the internet explosion. I would write a piece and many times it would feel like the page would burn my hands if I didn’t do something with it. Off to Kinko’s I’d go so I could make copies for poet friends or to send it off to the most suitable Call for Submissions. I would feel a kind of relief then, as if this urgent burst of energy now had some focus or reason to be.
The immediacy of my daily posts on the Facebook Fan Page and 365/365 more than fulfills that old urge, and is fairly confronting. I am taken aback at just how truly immediately other eyes are on these words. The commitment to write daily leaves no real time for revision, rethinking, retraction. I get to see my jagged edges, neuroses, loves, and incomplete thoughts. And so does everyone else. Really quickly. The swiftness of sharing this ongoing series of poems and the comments and conversations that come up around them is as soul-shaping as the writing.
I do feel shaped by what I write, as the inner and outer experiences shape me and prompt me to write. I have felt shaped quite literally lately, posing for a clay sculpture class. It is odd to feel sometimes like there are 10 voodoo dolls of me being molded before my eyes. I sometimes imagine that I’ll leave class subtly or profoundly different from the way I came in, and wonder about this as a metaphor for every interaction.
Here are the most recent poems:
April 6, 2011
Names
I think I’ve found the perfect candidate
for The Fool
in my personal deck of Tarot.
The role of The Devil has been taken.
I wonder what The Goddess calls me
when I can’t hear Her over the music.
April 7, 2011
Where no orgasm is unmemorable
Where the walls embrace wide auras
Where books and beings point out the Heart of Hearts
Where God sings the wailing blues
Where there are clean dishes and enough blankets
Where there are spent toys of pleasure
Where I sleep late
I begin to notice things
Where the forest holds love without need.
April 8, 2011
Uninvited
He left her a message today
Said he wanted to make amends
A sound beating never forgotten
gets icy silence in any decade
I remember being made to hear
the uninvited
My face in a journal thinking
I’ll just write
No, I’ll just sleep
How do I get out Try to
sleep
Her story my story
Any woman’s story told
is a cutting of the cord
Bloodletting
Our Burning Times
to purify
if there must be fire.
April 9, 2011
On the Lindenwold Train
On the Lindenwold train to Philly
you keep approaching to interrupt
an otherwise perfect spring fever.
Warm enough tonight
to feel cute on South St.
in jeans and short black jacket,
and at ease back home
where forsythia announce
the inevitable end to cold.
On my way to meet the poly people
same place we met once
at the inevitable start.
This train best get going.
Take me to my punk rock roots
and motley crew of a mockup family
so I forget how once last fall
I would have liked to catch you sleepy,
mojito in hand,
and me with knives in mine.
Luck held out for both of us.
Trees still bare.
I long to lie naked in the neighborhood
under natural cover,
but I will not rush this season.
It pushes me slowly along from last September,
when I lay trapped in a learning curve
of drinking and dreaming
your house demolition.
Woodcrest Station.
A musty man stinking
of B.O. and basement
chatters questions.
I am annoyed by my impulse to answer,
glad to break the tumbling thoughts
of broken intentions,
secret darknesses
that I find have left
strange nutrients.
I lap up new knowledge,
drops of blood to a ravenous bat.
I turn my head to breathe.
The box is open now.
There will be more weapons
forged with sparks of light.
I rest relieved
it is someplace else
your poisonous script will run.
My feet hit 8th & Market,
smooth in the rhythm of my streets.
April 10, 2011
Spokeswoman
Whatever ruptured yesterday
heals today
I remember or decide
there is no healing
without the wound
The wig display head
At the foot of my bed
May tell the stories better than I.
I may let her.
April 11, 2011
My bath, her shower.
Dreaming a bathroom conflict,
I caved. She’s first again.
April 12, 2011
ROYGBIV
and so I looked relieved at the black and white 32 oz. shampoo bottles lined up
perfectly on the ledge by the tub facing one direction with no more price labels
bathroom is not bad today save for some sweeping that gets left for Saturdays
Order is like meditation, keep coming back to same things same places, a mantra of stuff
at least that’s what I tell myself sometimes and I mostly really mean it
Then I wonder if it is the loving order or the allowing disarray that is the real problem if there is one, but I do know
that the closet goes by item type and order of color the way nature paints rainbows and sometimes bills get so-called filed, forgotten in front of what used to be the Zen space with the new guitar strings candles and exercise bra
It is lonely when brain is frayed, never any-questions-fried but as if a little mouse were working away nest-building
from the outside in
Putting it back together I look for the real Zen space, the one that is always there in my head find it for real without pretense no pretending something about putting in order is holy aligning with the knowing of mystics flawless grace notes and good sex. I remember overhearing Rose and Lissa laugh about my alphabetical albums, I look
for something to wear and am pleased by the disproportionate sight of purple
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