You are currently browsing the tag archive for the ‘chanting’ tag.
Saturday night was the second Bhakti Dance! at YogaLove in Yardley, PA. I am so glad the Bhakti Dance! idea came into focus at the end of 2013. Here is the way I’ve been describing it:
Come out on a Saturday night for a little bit of chanting and a whole lot of freeform movement. Bhakti Dance! is a fun, transformative, alternative social event – Think of the high school dance only with great kirtan, mantra dance music, an uplifting party playlist, and none of the drama.
We started out with about half an hour of chanting. I felt as though we sang just enough to become present in the room and in the event we were creating together. Then came the lights and the time to move. Transforming a yoga studio into a dance club is so satisfying and joyful! It is a good thing to have happened upon a truly natural expression of the connection I find between music and spirit. In the past I’ve had trouble creating the right balance in chant/performance spaces to reflect this. I’ve had trouble saying it in words. In the midst of dance, there is no need for words.
Val from Rainbows of Healing has been liaison for the event with the YogaLove space and has helped so much with her overall enthusiasm to make cool things happen. I love the look on her face when she hears the first notes of a back-in-the-day song and dives into the dance. Julio and Jana drove from NYC to join us, and were a total trip with their in-step dance moves and exuberance. Jane brought bindis and made everyone extra sparkly. Whenever I felt the urge to redirect the energy, thinking that people weren’t “getting it” or were heading toward boredom, I looked again and noticed they were dancing in their individual moments. I saw people keeping to themselves a good deal of the time and realized it as an indicator of deepening into the experience. There was also plenty of interaction – smiling, spontaneous rumba, clapping, random happy shouting. I’d planned to resolve the evening with “Shivo Ham,” but singing the Om Shanti together on “Holy River” turned out to be just right instead.
Creating Bhakti Dance! is feeling so amazingly good and it gives me encouragement to keep moving toward the singer/songwriter/rock performance meets chant meets dance party blowout creations I’ve been envisioning for a long time. My 2013 New Year’s resolution was “more dancing and more glitter.” It may sound silly and playful, and it is those things. It also turns out to have been more moving an intention than I could have guessed. I’ll keep it around this year. More song and dance and glitter all around!
A few tunes from Bhakti Dance! 1/18/14:
It’s time to see about taking Bhakti Dance! on the road. If you’d like to schedule one, get in touch at email@example.com.
I was a bit startled to realize on my birthday this past Monday, August 27th, that it was indeed the 10th anniversary of the release of my second solo CD, All Six Senses. I had what still feels like an idyllic, dreamlike time recording those songs out in Marin County, CA with producer Scott Mathews at his Tiki Town Studios. Over the past few days, I’ve spent some time listening to those tracks with my friend Amy, who played them, intermingled with other tunes, from her iPod in her car. It is sometimes annoying to listen to old recordings, but this time I really dug hearing some songs that have mostly fallen away from the set list (“Cling To You,” “I Skate Alone”) and others that have become standard fare (“Holy River,” “First Sight”). It is a very rewarding feeling to listen and feel that All Six Senses, for the most part, really does sound like the songs that I had in my head. It does a decent job of expressing snapshots of the spiritual growth spurt I was in when I wrote these songs (there is the one cover – a slow, jazzy take on “Cruel to be Kind”). I hope it might still manage to inspire anyone listening to examine their own lives and take their own journeys.
I remembered how much I enjoy these tunes and the recordings of them, and then I remembered another anniversary. It would take more than a short blog entry to tell the many stories and make even an attempt at the impact, but the super-short version is that I was (and still am) blessed in life to have met and gotten to know one of my greatest musical/lyrical/cultural heroes, Warren Zevon. Since meeting him at The Stone Pony (his show [opening for The Band!] was August 26, 1994 – his after-midnight autograph says August 27th – now this story is even stranger), we kept in touch. The day after my official, yet totally indie release of All Six Senses, it occurred to me that I hadn’t heard from WZ in a while. I happily tapped out a long e-mail asking him what was going on, telling him about my life, the new recording, everything. The response I got back was very brief:
He was ill.
“My lungs and liver are shot” he wrote.
I didn’t know, and couldn’t have comprehended on that day the seriousness of what he was saying. If it wasn’t that very day that he’d gotten the diagnosis of inoperable mesothelioma, it was within a day or so at the very most. I don’t have words for what I felt, or really know what I did the rest of that shocking day.
He asked me to send a copy along to him, so even in the midst of coping with finality he took the time to listen to All Six Senses. He said he enjoyed it, was glad I was continuing to work on the music, and advised me to “keep chanting.” I’ve definitely managed to do that.
I could say more – try to create some storyline about the impact of cosmic crossroads or the mystical fusion of wonderful-horrible anniversaries. I won’t. I will just try to sit with it all as it happened, and with my own uncomfortable twinge at having been moved to share this ball of entwined emotions with you tonight.