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A closeup of the wish tree at the Salvador Dalí Museum in St. Petersburg, FL. Here, I promised myself to realize my creative potential. I meant it.

A closeup of the wish tree at the Salvador Dalí Museum in St. Petersburg, FL. Here, I promised myself to realize my creative potential. I meant it.

The other evening I was at the South Jersey Writers meetup and I announced to my friend Glenn Walker that I like music again. The look on his face let me know it was a puzzling statement. It is not a surprising concept to me, but I was surprised to hear those words coming out of my mouth and to another person.

It was a somewhat equivocal statement. I always like music. I often require lots of silence around me, but I leave space in my world for singing when the spirit moves and listening to favorites (Today it’s Wall of Voodoo.). That said, I have felt a separation from making music for a while. I’ve written an awful lot about not writing, so I won’t bore you or myself with that. What used to feel like an uncomfortable alienation from creative source feels like synergy now.

Even though I haven’t produced many songs of late, I am very happy with “Everybody Does the Best They Can” that I performed with Jessica Floresta at the Soma Center in Highland Park. There are more where that came from, still dwelling in my head. Now is the time for me to be gentle with myself and let the songs emerge when they will. I don’t mind the gentle reminders from Glenn, other friends, and potential collaborators. I am on the mission. I am also very aware of the value of the other creative things I am doing now and I feel at peace in following the trail of the creative impulses that are calling me.

My dreams have been inspiring in recent weeks. I’ve been enjoying writing them down and the morning contemplations that result. Being part of the Audacious Eleven podcast is one of my favorite expressions right now. Recent episodes have been about Luck in the Tarot, The Buddhist Excuse, People Behaving Badly, and What Hollywood Does to Our Favorite Books.

I have been very busy with SEO, Web Design, and Social Media Management. I really dig it. I used to keep my musical and creative writing life separate from any of my “other work.”  My experience of this is entirely different now. I appreciate the orderly and concrete more than some may imagine, and this branch of my work has given me a sense of much needed productivity and stability. It has been an important factor in my feeling that much happier in creative space. I have been working a lot my friend Brian Loebig at Loebig Ink. We met a number of years ago when he was booking shows at the 5th Street Coffeehouse in Philadelphia and he recruited me to perform.

In other news, two weeks ago my good friend Betty invited me to be an extra in her actor/producer brother’s comedy horror movie. It was a blast being a vampire for a day! Last weekend, I was invited to play guitar for the very talented Brienna DeVlugt for two very different happenings – a Lord & Taylor fashion show and later that same day for a West Philly community event. In February I created a workshop focusing on non-binary gender identity at the Poly Living conference. Sometimes no matter what I do, I perpetually feel less busy and less productive than I’d like to be, but as I say, I try to be gentle with myself and take time to appreciate this eclectic cycle of events.

I have had a lot of activity out in the world given the internal shifts and changes and inner work that has needed attention. I recently had the fastest end of major relationship and beginning of new major relationship I’ve ever experienced in my life. This has been a lot to process. I am trusting. My head and heart have been spinning now for the better part of a year, and now I find myself happy and centered in a space of love.

This year, there will be songs and I predict projects I haven’t even yet considered. I am in the mood to simply see what’s next. Right now life has a lot to do with peaceful enjoyment, finding – and creating – day-to-day stride, and nurturing precious new connections.

Christiana Gaudet

The first time I met Tarot Grandmaster Christiana Gaudet, I believe it may have had something to do with an impromptu seasonal celebration ritual held in a hot tub.  Over the years, I’ve grown to love and trust Christiana very much, and we share quite a few things like dedication to spirituality, a penchant for discussions on grammar and usage, naturism, and a serious enthusiasm for music (Robin is to Devo as Christiana is to The Grateful Dead.).

A little over a year ago, Christiana began hosting an online show called Christiana’s Psychic Café, and decided to use my songs “Funky Bhagavate” and “Blessed Be, Namaste” as her intro and outro music.  She’s also invited me on the show to chat on quite a few occasions, so turnabout is fair play, as they say.  I am so glad Christiana has taken part in The Dream Between‘s 11 Questions interview series.  Here are some of her thoughts on science and mysticism, the rewards and business of writing and music, entrepreneurial spirit, and more.

1. Do you think of Tarot as an art? A system? A spiritual tool? I am interested in how you describe it to someone who hasn’t encountered Tarot at all.

Yes, to all of the above. One of things that fascinates me about Tarot is how unique it is in all the world, but how it is a part of so many worlds – art, culture, spirituality, and history.

Tarot is a book of spiritual wisdom in picture form that tells the story of human experience. Tarot is a collection of archetypes and symbols that can help us communicate with each other and with the divine. Tarot is a source of creative inspiration and a tool for magick.

2. How do you balance science and rationality with mysticism and spirituality in your life?

My belief system is grounded in the reality that I observe in my daily life, so there really is no disconnect between what I believe and what is obviously scientifically true.  I believe the sun will rise in the morning, and I understand the movements of the planets that make that happen. But I also honor the rising sun as a spiritual force in my life.

Nature is my Higher Power. I am face-to-face with God every day. I don’t need complicated dogma and doctrine to know, feel, and experience spiritual truth. When I observe nature I learn all I need to know about Higher Power.  I find spiritual power in the tides and the stars. I see the face of the Goddess in fire as it dances. I see the Four Elements, Earth, Air, Fire and Water, as spiritual forces operating in my life. The magnificence and improbability of the world around us lead me to conclude that a divine hand is at work. To me, science proves the existence of Spirit. There is so much order to the Universe, it seems a divine order. The more I learn about science the more I see the sacred nature of life.

I have an argument with many religions. If your doctrine doesn’t hold true to the obvious facts around you, it is time to change your doctrine. That’s an interesting concept given I believe that cards drawn at random can have specific bearing in a person’s life. But, truly, divination is as old as recorded history. Divination is something we do quite naturally.  The same is true with earth magick. What child has not collected rocks and shells from the beach, or sticks from the woods, knowing, deeply and inherently, that these items hold power?

3. You’ve written and published two books on the Tarot – Fortune Stellar and Tarot Tour Guide. Through those experiences, what are the most important things you’ve learned about the process of writing and publishing?

I learned that writing is an arduous task. If we only write when we feel inspired, we’ll rarely finish anything. If you force yourself to write whether or not you feel like it, the inspiration will come most of the time.

I also learned that writing is sometimes more about style than structure, and that typos are a fact of life.

I learned that publishing is rapidly changing. Whatever you knew about publishing in the past may not be true now. What we used to call “vanity press” is now “self-published” and is a viable avenue. The big publishing houses are crumbling, and self-published authors are actually making money.

I learned that unless you write a New York Times bestseller, the way to make money in writing and publishing is to be prolific. Yes, I am working on books three, four, and five right now.

Finally, I learned that books aren’t like fashion – they don’t have a shelf life. If you write a good book, that book will continue to sell year after year.

4. You and I connect a great deal around music and you’ve often incorporated music segments into your show, Christiana’s Psychic Café. What are you listening to lately?

The recent death of Pete Seeger has me revisiting my favorite folk singers. This week I’ve been listening to The Weavers, Pete Seeger, Holly Near, and Arlo Guthrie.

I listen to a lot of different genres. In terms of newer acts I like OneRepublic. Isn’t that cheesy? And I love Grace Potter and the Nocturnals. I think Grace has huge potential.

I’m a Deadhead.  I catch as many DSO, 7 Walkers, Phil Lesh and Friends, Ratdog and Furthur shows as I can. We always wondered what would happen when Jerry died. Well, what happened was a lot of smaller bands mushroomed from the one. Fan musicians made it their mission to carry on the music, so there are still plenty of opportunities for us to experience those songs played live.

5. Does music help inspire your writing, preparation for readings, or other aspects of your work?

I can’t have music in the background when I write – I am easily distracted by shiny objects. I love meditative music, and I love chanting. I use music in magick and ritual quite a bit. Dance is an important part of my spiritual practice.

6. As the music business we once knew has changed so much since the Internet Age, many artists are struggling to understand how it will manifest in the future. Any predictions?

The changes in music are similar to the changes in publishing. On one hand, everyone has access. On the other hand, there are so many voices it is hard to be heard.  I think one thing that is changing is there are more ways to be heard, and more ways to develop an audience. Often success will go to the diligent.

Where do I see things going in the future? I think there will be even more access to high-speed internet, recording technology, and marketing opportunities. I think the big labels, like the big publishing houses, will start to crumble. There will still be pop stars, but radio – the star maker of yesteryear – really is dying.

Right now, everyone who listens to adult contemporary knows the same songs. When Lorde won a Grammy, everyone knew the song. I see a time in the distant future where that might no longer be true. There might be so much variety available we will all listen to exactly what we like and we won’t all know the same forty songs.

In the meantime, my advice to artists would be three words: diligence, networking, and innovation.

7. Your show seems to have developed very organically and features many artists and practitioners who you know personally. How has this network of people come about for you?

When I agreed to do Christiana’s Psychic Café I knew I didn’t really have the time to take on such a project. I also knew I had a huge network of interesting people who would help me. Networks always grow. You were my very first guest. You, and many others, have introduced me to other people who have been great guests, and are now my friends. You are right about “organic growth.”

I have always been really good at bringing people together. I have organized festivals, huge parties, psychic fairs, and creative communities. It is something I do naturally. I am not as good at constantly nurturing a community. I am better at short-term projects and getting things started rather than tending them over long periods of time.  Social media has allowed me to stay in touch with people that I have known over the past forty years. That is a lot of people, and a lot of energy, on which to draw.

8. In your work, you not only maintain a private reading practice, but you create a weekly newsletter, host the online show, and hold periodic worldwide Skype teaching sessions. What are your practical methods of generating many varied ideas and holding it all together?

I am grateful each day that my work allows me variety, creativity, positive human contact, and spiritual fulfillment. I work very long days, but I take frequent breaks. When I feel overwhelmed or under-inspired I picture myself working a regular job. That’s usually enough to get me back on track.

I have a lot of interesting ideas. They often come to me in the shower. My biggest problem is remembering them, since I can’t write them down while I’m washing my hair! So, the practical methods I employ boil down to gratitude for what I can do, fear of not doing it, and being open to inspiration!

9. What is the most gratifying aspect of your work?

Unfair question. That’s like asking a mother which of her kids is her favorite.

When I was really young I knew I didn’t have the ability to tolerate routines, power structures, boredom, and creative limitations. I needed to create a life where I had real passion for my tasks, and control over what those tasks would be. So I did. That my work is my work is my greatest gratification.

10. Do you have any advice or wisdom for anyone in any field who is striking out with your kind of entrepreneurial spirit?

Plenty. You have to want it so badly you can taste it. You have to believe in it when no one else does. You have to be willing to suffer for it. You have to be willing to do what it takes to make it happen, even when your friends are mad that you can’t play with them.  If it were easy, everyone would do it.

When I was a theatre major at Baldwin-Wallace College for a semester I had a great teacher who said that success is the product of talent and tenacity. I think that is true for just about any kind of success.

11. What is the best course of action for creative artists in this Imbolc season?

Transform your fears, hurts, and disappointments into art. Let creativity be a source of healing for you, and let the depth of your pain energize your process. Let nothing be “good” or “bad” in terms of what you feel or what you produce. Experience everything as power, wisdom and beauty. Be free to heal, and free to create.

Visit:

Tarot by Christiana Gaudet

RobinRenee.com

This is apparently a good week for the number eleven! See yesterday’s post.

white-flag

I’ve been sitting with this news for the last couple of hours. I’ve been trying to find a way into the right poetic expression, but that’s not showing up. So, I’ll just let you in on my decision.

I won’t be booking shows myself as a primary focus anymore. Trying to do my own bookings has been an exhausting process for too long now. It feeds neither my soul nor my finances enough to continue.

This doesn’t mean I’m through with music. Music has been alive in me more than ever in perennial and surprising ways. That is exciting. So are some of the other aspects of the business of music that I’ve neglected while chasing different pieces of the puzzle. I’ll be more on track with this newly-created space in my life.

I have long believed that when people say they don’t have time for something, it is really an indication of priorities. If it actually matters, time will show itself, I thought. When I continually was feeling I had no time to book a proper tour or get to the details of show x, I had to consider whether or not being a working musician was something I even wanted. My answer is YES, it is something I want, and so I had to modify my understanding of making time. Time, at least on this plane where business and 24-hour days happen, is not limitless.

I do make time for a lot of what I need to do, and a lot of what I love. But too much to do, all of which feels important, leads to everything done almost well enough. Living too long in that state has left me ragged.

I am not giving up performing live. I will put some more thought and effort into finding someone willing and able to handle bookings for me. I believe viable live tours are possible, and that help to make them possible can somehow come to fruition.

I still fully encourage people and venues who would like to hear me perform live to get in touch. I will be happy to respond to serious requests for concerts and other appearances. I realize I may not see some of you as soon or as often as I’d like to for a while. Right now, I am open to change and a different kind of freedom. Becoming an honestly creative being again is most definitely on the new agenda.

I have gone through, and am still going through a full range of emotions around this decision. I plan to keep raising it up to a positive state of surrender. It isn’t giving up. It is rebooting. It is releasing what clearly doesn’t work and leaving space for what will.

surrender11

When Brian first called me out of the blue some years ago, I was pleasantly startled – No one’s ever looking specifically for “African-American female, folk-inspired artists,” or so I thought! Now, working with him from a business perspective through his company Loebig Ink has been really helping me to stay on track in a lot of ways. Here’s a brief interview with me he posted this morning. Thanks, Brian!

The Ink Blog

Robin ReneeI had the pleasure of meeting Robin for the first time when I booked her as a performer for the 5th Street Coffeehouse music venue in Philadelphia several years ago. The coffeehouse featured African-American female, folk-inspired artists and Robin became an instant favorite of mine and the venue patrons. I have continued to stay in touch with Robin over the years and have recently been privileged to work with her on business marketing strategies as well as writing projects. Robin’s entrepreneurial spirit is infectious and her determination is only paralleled by her acute attention to detail. I am pleased to call her a colleague and a friend.

1. Career influences

It may be a bit cliché for a female singer songwriter to claim Ani DiFranco as a big influence, but she really has been one of mine. I interviewed her some years back for Curve Magazine, and was struck by…

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